• SALE - 3 REDUZIERTE ARTIKEL = 10% RABATT ZUSÄTZLICH* - Herren - Frauen - Erfahre mehr

    Sale

     

    * Angebot nur gültig für eine Auswahl an Produkten die mit „Sale“ markiert sind. Das Angebot ist nicht mit anderen Angeboten kombinierbar. Weitere Ausschlüsse können zutreffen.
  • KOSTENLOSER VERSAND & RÜCKVERSAND - Mehr informationen

    KOSTENLOSER VERSAND & RÜCKVERSAND

     

    Für alle Bestellungen, die als Mitglied von RVCA INSIDER, ohne Mindestbestellmenge aufgegeben wurden.

  • EXKLUSIV ONLINE Nur hier zu finden - Shoppe

  • Für exklusive Vorteile, melde dich bei RVCA Insider an

Anmelden / Einloggen
Deanna Templeton

Deanna Templeton

Deanna Templeton has always shot photos. Her mother bought her a Cannon T - 90 for coming back home after running away. She was 15. That camera got stolen from her luggage on her way back from Mexico in 1987. She stopped for 3 years. When she was 21, she got a Yashica point and shoot. She shot so much, that I got her a Cannon AE - 1 for Christmas one year. She now has a whole bevy of cameras to choose from, and seems to always have one with her. Looking at her photographs is like knowing her. Photographs say as much about the person behind the lens as it does about the subject. There are choices involved that reveal the sensibilities of the creator. In Deanna’s you see an eye to the feminine experience—the cracks that are forming in that false persona of being a girl in this day and age. She explores what being a child, or a woman feels like today. She gets inside the migrant workers and little ironies on the street that passes us by without a thought usually. The photos leave you with more questions than answers, like good art should. – Ed Templeton

Related Stories